Hera Essay Example For Students

Hera Essay Hera is the goddess of marriage, and protector of married women. Her father is Cronus, and her mother is Rhea. Cronus and Rhea are both Titans, and theyre also brother and sister. Hestia is Heras oldest sister. Shes the virgin goddess of the hearth, and its believed that saying prayers before meals came from her. Demeter is also her sister, and shes the goddess of corn and the harvest. The four months of each year when the harvests go bad, is the result of Demeters sorrow. During that time her daughter, Persephone, has to go with Hades. Hades is her brother, and he is the god of the dead and the ruler of the under world. Poseidon is also her brother, and hes the god of the sea. Zeus is not only her youngest brother, but her husband too. Hes the god of the sky, and the ruler of the Olympian gods. Zeus was often pictured as the god of justice and mercy, the protector of the weak, and the punisher of the wicked. When Hera was born she, like her other brothers and sisters, was swallowed by Cronus. Cronus did this horrible act, because he was afraid that one day he would be dethroned by one of his children. Zeus was the only one out of the six of them not swallowed. When Zeus was old enough he fought his father, and forced him to disgorge his other brothers and sisters. Hera was entrusted to Ocaenus and Tethys, by Rhea, to be raised while Zeus struggled with the Titans. Hera later returned after Zeus won the war. Zeus and Hera got married on the summit of Mount. Ida in Phrygia. Together they were the parents of; Ares the god of war, Hephaetus the god of fire and metal work, Hebe the goddess of youth, and Elithyia the goddess of child birth. Ares was unpopular with both gods and humans. Although he was fierce and war like, Ares was not invincible even against mortals. Hephaetus was lame and awkward looking. Hera was so repelled by his looks, shortly after his birth he was cast out of Olympus. Later in life he was honored again by the gods, and he married either Aphrodite or Aglaia. Hebe was the cupbearer to the gods serving them their nectar and ambrosia. She was somewhat like a slave to the gods until she married her hero Hercules. Even though Zeus was portrayed as a wonderful man he wasnt at all a loyal husband. Hes had many different mistresses, and children from most of them. Hera was a protective wife thats portrayed as jealous, violent, and often angry with Zeus. To get back at Zeus she would seek vengeance not only on him but on his mistresses, and their children. Among all of Zeus children Hercules was the greatest victim of Heras rage. Soon after Hercules birth she sent two huge snakes to kill him. Even though Hercules was still a baby he strangled the snakes with his bare hands. When he grew to be a man he married the Theban princess Megra, and together they had three children. Hera was still so full of hatred towards Hercules, so she sent a fit of madness on him. During the time of the fit he killed his wife and children. Then Hercules had twelve tasks of labor to complete, when he accomplished that he married Deianira. After his death the gods brought him to Olympus, there he married Hebe. In Roman mythology Hera is known as Juno. Juno was worshipped under several different names, under Juno Pronuba shes the goddess of marriage. .u66250cf300e808c5aa3446508cd9ab9b , .u66250cf300e808c5aa3446508cd9ab9b .postImageUrl , .u66250cf300e808c5aa3446508cd9ab9b .centered-text-area { min-height: 80px; position: relative; } .u66250cf300e808c5aa3446508cd9ab9b , .u66250cf300e808c5aa3446508cd9ab9b:hover , .u66250cf300e808c5aa3446508cd9ab9b:visited , .u66250cf300e808c5aa3446508cd9ab9b:active { border:0!important; } .u66250cf300e808c5aa3446508cd9ab9b .clearfix:after { content: ""; display: table; clear: both; } .u66250cf300e808c5aa3446508cd9ab9b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u66250cf300e808c5aa3446508cd9ab9b:active , .u66250cf300e808c5aa3446508cd9ab9b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u66250cf300e808c5aa3446508cd9ab9b .centered-text-area { width: 100%; position: relative ; } .u66250cf300e808c5aa3446508cd9ab9b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u66250cf300e808c5aa3446508cd9ab9b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u66250cf300e808c5aa3446508cd9ab9b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u66250cf300e808c5aa3446508cd9ab9b:hover .ctaButton { background-color: #34495E!important; } .u66250cf300e808c5aa3446508cd9ab9b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u66250cf300e808c5aa3446508cd9ab9b .u66250cf300e808c5aa3446508cd9ab9b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u66250cf300e808c5aa3446508cd9ab9b:after { content: ""; display: block; clear: both; } READ: Larger than life Women in theater changed society Essay Hera and Juno both married their brothers, and theyre also both the queens of the gods. The month of June was named after Juno. Most women prefer to be married in June so Juno can protect their marriage.I think Hera was a very important goddess, because marriage is a big thing to watch over. But she wasnt a very good person. She was always angry with Zeus, and even though she had a good reason to be, she could have taken her anger out on just him, and not his mistresses or their children. Im really curios as to how many gods and goddesses looked deformed, because there was tons of incest. I bet if someone was to make something like a family tree every god and goddess would be related somehow. I also wonder if Hera was hated by a lot of the gods and goddesses, because I though she was a mean person. I guess back in Greece if you an important god or goddess you were still worshipped.

Virgin Soil Upturned Review Essay Example

Virgin Soil Upturned Review Paper Essay on Virgin Soil Upturned French Enlightenment once like you seriously believed that the world is ruled by ideas. That is despite the fact that there were materialists in their views on the nature, considering the society and its history, they believed that large numbers of people are driven by public opinion and ideas. Find the source of ideas, which itself would not depend on them, but it would define obshestvennoe opinion they could not, and so I think that the whole thing only in the ideas that guide leaders. With this naive point of view of history have a cohesive movement of the column of people do the will of the leaders, so everything is exclusively in the hands of the leaders. This point of view is voluntarism :)) (which panic and fear comrade CAAX). At the heart of the process called collectivization lay the need to address the biggest problem, in front of which stood the country in the mid 20s. 25 million !!! Peasants individual farms this real bomb for all the most rasprekrasno ideas: historical development of this economic phenomenon assumed only a single form of ownership, the only form of exploitation And the most typical in the history of socio-historical organisms. Therefore koddektivizatsiya its just a label, under which there was a change of ownership forms in the Russian agricultural sector, that is a revolution, and with it the destruction of the NEP, and those who supported him, ending the civil peace policy (in 1929 the population was selected weapons left over from the civil war), and the transition to the expropriation and terror against the peasantry. It turned out as a class object wholly owned gosudrastva not only on land but also on people. This form of ownership, and definitely proves terror. One of the ideological cover of state violence were just ideas Davydova and Nagulnova about justice, about how it should be, ideally, for whom life was no objective justification. By the way, I recommend reading: and Virgin Soil Upturned Review Essay Example Virgin Soil Upturned Review Paper Essay on Virgin Soil Upturned French Enlightenment once like you seriously believed that the world is ruled by ideas. That is despite the fact that there were materialists in their views on the nature, considering the society and its history, they believed that large numbers of people are driven by public opinion and ideas. Find the source of ideas, which itself would not depend on them, but it would define obshestvennoe opinion they could not, and so I think that the whole thing only in the ideas that guide leaders. With this naive point of view of history have a cohesive movement of the column of people do the will of the leaders, so everything is exclusively in the hands of the leaders. This point of view is voluntarism :)) (which panic and fear comrade CAAX). At the heart of the process called collectivization lay the need to address the biggest problem, in front of which stood the country in the mid 20s. 25 million !!! Peasants individual farms this real bomb for all the most rasprekrasno ideas: historical development of this economic phenomenon assumed only a single form of ownership, the only form of exploitation And the most typical in the history of socio-historical organisms. Therefore koddektivizatsiya its just a label, under which there was a change of ownership forms in the Russian agricultural sector, that is a revolution, and with it the destruction of the NEP, and those who supported him, ending the civil peace policy (in 1929 the population was selected weapons left over from the civil war), and the transition to the expropriation and terror against the peasantry. It turned out as a class object wholly owned gosudrastva not only on land but also on people. This form of ownership, and definitely proves terror. One of the ideological cover of state violence were just ideas Davydova and Nagulnova about justice, about how it should be, ideally, for whom life was no objective justification. By the way, I recommend reading: and

Indigenous Australians History Essay

Indigenous Australians History Essay Indigenous Australians History Essay Example Indigenous Australians History Essay Example This research paper explores the theme of self-representation in the work of Indigenous creative artists. Alexis Wright and Lin Onus were chosen for the purpose of research since these two creative artists achieved the popularity and acclaim in Australia and overseas, signifying that they both succeeded in creating literature and art on the basis of the indigenous life experience and education and made a contribution to their respective fields. Alexis Wright is a representative of the Waanyi people, a novelist, educator and activist who received numerous awards for her literary work (‘Australian Literature Database’ 2015). Lin Onus was an artist and essayist who was of Koori descend and the first Koori artist to host the world touring exhibition (Grossman 2013, p. ix). THE WORK BY ALEXIS WRIGHT AND LIN ONUS AS THE SITE OF SELF-REPRESENTATION THAT EXPRESSES DIFFICULT AUSTRALIAN HISTORIES The Indigenous creative artists who speak from the perspective of their own lives and conceptions also speak on behalf of the Aboriginal people and are their voice on the literary and art scenes. On the one hand, they are challenged to express the difficulties surrounding the Aboriginal culture, race, poverty and isolation (Healy 1988; Grossmann 2003). On the other hand, they can depict a â€Å"renewed sense of identity† (Healy 1988, p. 81) and create the view of the Aboriginal people as visible and equal participants of the society. Depending on their creative choices and the strength of their voices, the self-representation of the Aboriginal people can be re-formulated and adapted. The research paper is based on the review and critical analysis of the work by Alexis Wright and Lin Onus, their bibliographical accounts and the writings on the Aboriginal literature and art, with the purpose of examining the main themes of self-representation, depicting the Aboriginal history and the role of the Indigenous creative artists. The paper argues that difficult Aboriginal histories are expressed in the creative work of Indigenous artists (Alexis Wright and Lin Onus) and exemplified by the complexities of self-representation, deriving from double identities, double histories, socialization trough language and art and contradictions inherent in the Aboriginal view of self as embedded in place and time. The Complexities of Self-Representation: Double Identities Both Alexis Wright and Lin Onus are expressing several aspects of self in their creative work. One aspect is a transformative self-production that characterises a contemporary Australian artist. An active production and representation of self as an artist is possible only with a certain degree of introspection and comparison against the â€Å"other† identity, be it a mainstream Australian or an Aboriginal. Formulating their own conceptions derived from unique personal experience, Wright and Onus represent double identities of people who are Aboriginals and mainstream Australians at the same time. For the artists, their creative works account the â€Å"true life of their history† (Healy 1988), and to some extent, they also succeed in expressing the difficult Australian histories. In Wright’s words, by reading and writing, she is â€Å"self-defining†, and the Aboriginal people who are her relatives constitute the source of â€Å"self-representation†, as was Wright’s grandmother (Wright 2002, p. 11). Therefore, the connection between the novelist’s and the Aboriginal historical self is mediated by her relatives and social contacts in the Aboriginal world. For sure, Wright attempts to position herself toward depicting the politics of life and speaking to correct the ills of the Aboriginal people. In her words, her goal as a novelist is to â€Å"speak about the pain of the Aboriginal people† (Wright 2002, p. 12). Yet, she also speaks about her own identity crisis and searches for the connections within the long and complicated history of her land (Wright 2002). The Complexities of Self-Representation: Double Histories The Aboriginal creative artists are confronted with a daunting task of speaking about two separate histories, i.e., of the Indigenous people and the Australian settlers. This task requires them to distinguish between the â€Å"settled† and the â€Å"remote† people (Stockwell and Scott 2000, p. 30) as they have not lived outside the urban areas unlike the Aboriginal people. Nevertheless, it is the distant places of Australia where the Aboriginal people have preserved their long-standing traditions discarded by the mainstream historians. While Wright coins the land names to speak about the Aboriginal land in her novels and Onus paints the non-existent landscapes that are more surreal than realistic, the Aboriginal people have unique names for identifying the regions where they live. In their language, â€Å"Murri† stands for Queensland, and they would likely dissociate with the names like Queensland and Wright’s â€Å"Carpentaria† (Stockwell and Scott 2000). Throughout their artistic careers, Wright and Onus have focused on â€Å"becoming† Australian, while the Aboriginal tradition compels them to concentrate on â€Å"being† (Stockwell and Scott 2000, p. 33). Onus describes the prevalent view of the Aboriginal art as â€Å"static† (Onus 2003, p. 92), reflecting the inert self-focus of an Aboriginal artist. When comparing the histories of the Aboriginal and the Western art, Onus finds that the latter developed in co-creating and learning from the masters (Onus 2003, p. 92). Therefore, in Australia, the mixing of the European and Aboriginal art was acceptable, while the Aboriginal art was viewed as outdated (Onus 2003). The artist’s personal preference for mixing images and cross-cultural learning is evident, and he admits it in his biographical accounts. For Onus, this inclination towards co-learning and experimentation ensured the continuity of self within the land’s history. Also, the development of On us as an artist occurred at the time of the rising of urban Aboriginal art (Grossman 2014). The art by Onus was a much needed voice representing the Aboriginal artists, whom the mainstream art curators found too â€Å"primitive† for the modernized Australian galleries (Grossman 2014). Onus was a product of an urban lifestyle with its conveniences of automobiles and air travel that could bring him to far-away exhibits. The artist admitted that the urban-versus-traditional dilemma remained central to his work (Onus 2003, p. 92). The contemporaries of Onus can find the traces of the most advanced technologies and very ancient symbols in his work that illustrate the two histories’ extremes. While Onus successfully developed his own space for expressing his perspectives on the Australian history and culture, the Aboriginal people have largely resisted what they saw as â€Å"imposed† dominant cultures (Molnar and Meadows 2009). The identities of the two people, the integrated Australian and the unsettled Aboriginal, continue to be separate. The typical Australian is seen to be laconic and pragmatic (Wright 2010), while the Aboriginal is viewed as someone concerned with spirituality and self-expression that is linked to the land, the Aboriginal stories, and teachings by the Elders (Bell 2003, p. 170). These double identities and differing histories within the Australian history were explored and expressed by Wright and Onus. Still, it was their personal experience that helped them to assume a middle ground between the two. The success of their creative expression in regard to the differing histories hinged on speaking about the parallels between the two peoples (McI ntosh 2012 , p. 125). McIntosh maintains that expressing such parallels constitutes a challenge since accepting the differences (the Aboriginal history speaks of deprivation) means that the power system must be stretched to reach the distant people (McIntosh 2012, p. 125), ensuring sufficient funding for their integration into a single society and history. The Complexities of Self-Representation: Socialization through Language The language and art are the means of creative expression where individual and social experience and conceptions are referenced. With unique words, symbols and allusions to common meanings, they are also the media of socialization in society. The Aboriginal peoples’ languages describe their environment, communicate their history and heritage and are the â€Å"voice of their land† (Bell 2003, p.170). Similarly, the Aboriginal art conveys the meanings that are common to the Indigenous people. In her biographical accounts, Wright explains the language difficulties facing a post-colonial Aboriginal person. The Aboriginals were compelled to discard their languages in order to facilitate their integration into the Australian society. Also, their traditions required them to keep silence instead of speaking. For example, the Aboriginals are told to listen, imagine and keep a secret about the intrusion to their land (Wright 2002). The Aboriginal law dictates not to even pronounc e the name of the dead (Griffith 2014). Stating that the Aboriginal people must be silent, Wright shows just how difficult it is for the Aboriginals to use their language and speak about their traumatic experience. In order to avoid the pitfall of their own culture and act as creative artists, Wright and Onus had to discard the Aboriginal language and forge a path within the mainstream society. The complexities are intensified with the Aboriginal oral tradition of passing on their stories with the help of the language. Writing about a new identity and history required to reshape the role of language as the means of oral expression towards its role in creating a memory and thus history. The Complexities of Self-Representation: Socialization through Art Onus found that he changed the way he saw the world after becoming an urban artist: he no longer viewed the landscapes as panoramic (Onus 2003, p. 94). The cross-cultural imperative for creativity required him to visualize completely different images and create from novel perspectives. Therefore, instead of the gum tree that is always noticed by the Aboriginals, Onus started painting modern-looking subjects and symbols, and he worked with a newly developed sense of humour (Onus 2003, p. 94). Onus was actively promoting the shift in the conventional view of exhibitions towards a more open view of the Aboriginal artist. Onus insisted that the art galleries should exhibit the Aboriginal art, yet he also said that the Aboriginal people could not â€Å"engage with, or relate to† the publicly exhibited art (Onus 2003, p. 94). Moreover, the Australian media and art are concentrated in the centre [cities], and an Aboriginal person from the periphery cannot benefit from them (Molnar and Meadows 2000). Onus questions when an Aboriginal person becomes an Australian, implying that the socialization and consequent integration is lengthy and contorted, if at all possible (Onus 2003). The Contradictions of Self Embedded in Place The idea that the Aboriginal people are â€Å"traditional† is deeply ingrained in the Australian society (Grossman 2003). Grossman emphasises that not only the work but also the identities of the indigenous artists are seen as â€Å"traditional† (Grossman 2003, p. 12). When speaking about the Aboriginal people, Wright calls them â€Å"the people on the outside of life† and â€Å"deprived of a voice† (Wright 2002, p. 11). In Wright’s work, there is an overarching theme of the Aboriginals living on the margins of the society whose rights are oppressed. In her novel â€Å"Carpentaria†, Wright illustrates how the identity is shaped by the geographical place. A young Australian man undergoes self-transformations while living at an Aboriginal place (Wright 2010). A similar change in identity is likely to happen to an Aboriginal man who enters the urban place. On arrival, he is viewed as a madman. In the Aboriginal people’s view, â€Å"he [E lias] was a very strange man† (Wright 2010, p. 77). Likewise, Onus was remade by the urban space where he lived, constantly facing the traditional-versus-urban conundrum (Onus 2003, p.92). Yet, in his art, Onus tried to represent a uniquely Aboriginal place left untainted by the colonization (Onus 2003). This proved practically impossible. The subject of unclear directions associated with the feeling of being lost in space and perhaps history surfaces in his paintings. For example, a colonial map is depicted illustrating the scale of the colonial dominance and a rear-view of a rainbow snake in the side mirror of a fast-moving truck implying the fast-moving changes that occur with a simultaneous orientation to the past (Ashcroft 2013). The Contradictions of Self Embedded in Time In regard to the importance of time to self, both Wright and Onus show the time as interconnected in the conscience of the Aboriginals. Wright admits that she struggles with writing about trauma (Wright 2002), and she sets her novels in the past, present and future where the traumatic experiences are present. Onus maintains that the Aboriginal stories will ever be the same; it is only the technology and the materials that differ (Onus 2003). The paintings of Onus confirm that the concept of time is central to Indigenous self-representation. His static view of self is illustrated in the zigzag-like images, where the present and the past are fused, and in the images of animals, which are considered influential by the Aboriginal people. Finally, his painting â€Å"The Road to Redfern† touches on â€Å"remembering the future† and depicts how the past and the present interconnect in producing a hopeful picture of the future (Ashcroft 2013). Wright’s most recent novel â€Å"The Swan Book† makes the imagined future into the timeframe of interactions between her characters. In this way, she brings attention to the imminent problems of the environment. The Aboriginals are shown as directly confronted with and more conscious of the environmental degradation. Wright explains why the Australian history should encompass the Aboriginals, instead of making them invisible (Healy, 1988, p.84). Moreover, illustrating how the land rights were seen as a privilege alongside the â€Å"conferred dominance† (McIntosh, 2012, p. 124) instead of being the right of the Aboriginals, she calls for improving their destiny. The latter proves that the Aboriginal creative artists may not only depict the difficulties of the Australian histories but also promote the inclusion of the marginalized Aboriginal people, thus creating a new â€Å"generation of dignity† (Healy, 1988, p. 82). Still, â€Å"The Swan Book† rema ins a scarce instance of success towards embracing diversity. The creative production of the Aboriginal life and the true representation of the Australian histories remain a difficult pursuit. Meanwhile, the destiny of the Aboriginal people is obscured, indefinite and uninteresting. In the work of Alexis Wright and Lin Onus, there is some indication that the Indigenous creative artists search for a middle way as mediators to express the difficult Australian histories. Yet, Wright and Onus are in a privileged position of the Aboriginals who, while struggling with their double identities, function as part of the mainstream. From this position, they can speak in the artist’s unique language that has links to both the mainstream and the Indigenous histories. Wright and Onus abandoned their original Aboriginal language and art framework: this was a difficult path that allowed them to pursue the desired careers. Yet, this was not the only requirement for ensuring self-representation. The Aboriginal people cannot socialize into the mainstream art without accessing the centrally located galleries, and when they do, new symbols and meanings are often misunderstood. Since they are located on the periphery of the Australian society, their socialization through a conventional language and art is constrained. As Wright and Onus create in new literary and artistic genres respectively, they depart from the Aboriginal tradition and embark on a process of self-production and representation that is accompanied by numerous complexities. The work by Wright and Onus expresses the contradictions in regard to the space and time as essential aspects of an Indigenous self. The Aboriginal identity is a product of the Aboriginal place. The differences between the urban and traditional places are drastic, as depicted in the creative artists’ work and bibliographic accounts. Moreover, while there is an attempt to build the parallels between the Aboriginal and the mainstream societies, the encounters between the two places produce a changed identity. For the Aboriginal people, the past and the present are seen as fused, and trauma is present at all times. The future is depicted as also connected, where there is some indication of hope, as in Onus’ â€Å"The Road to Redfern†. The Aboriginal identity depicted by the Indigenous artists in their work shows an overwhelmingly complex process of the Aboriginal peoples’ identity production and representation and illustrates the difficult histories of the Aboriginals in the Australian society.

Corporate social responsibility and its theoretical foundations Essay

Corporate social responsibility and its theoretical foundations. Australian firms and CSR - Essay Example The term Corporate Social Responsibility though a invention of few decades back but has existed in various forms from the earliest days of businesses. Companies manipulate their businesses processes and go one step ahead then the industry to create a positive impact on the society. Corporate social responsibility of companies can be viewed in two general ways Companies share and invest their income for the benefit of the society. Companies follow the industry standards or apply best practices in their business as to be more responsible and ethical. To understand the basic concept behind CSR we have to learn what binds an organization to be socially responsible. Every organization has stakeholders which exist at all levels of business operations and are major contributors of the business. The company has to show its competency and loyalty to its stakeholders and the community that the business is not only concerned solely with the expansion and betterment of the business but it is als o keen and responsible in contributing towards the growth and betterment of its stakeholders and the society it operates in. As a gesture of company’s conviction and dedication, they engage themselves in such activities which in some way will help in the prosperity of the society and will leave an everlasting impression on those they helped. Also at the same time they can include such policies and practices into their business which portray the company’s business processes as more ethical and morally correct. Concept and Benefits Social responsibilities of corporations comprise of ethical and managerial principles to guide a business enterprise. This is because it deals with everything from corporate image, public relations, environmental liability, lawsuits, relations with governments and worker morale. These corporate responsibility principles are guided by another set of principles. The first and the basic principle is that the firm’s or company’s prod uct raises or enhances the quality of life. Three basic types of processes are identified to implement corporate responsibility principles. They include of environmental management, issues management and stake holder’s management. (Gail Thomas, 2006) Number of factors drive the corporate responsibility trend. One major factor which make organizations more socially responsible is that companies which do not engage in CSR activities might be viewed as those who are only interested in the growth and expansion of their business and are not at all concerned with the betterment of their various stakeholders and the society. Hence ruining the image of the corporation in the mind of people which is a serious risk for business. On the other hand the benefits of CSR for corporations are limitless. Although the benefits would not be monetary directly instead would require investing in quite heavy amounts but in return the corporation earns a position of a reputable contributor to the so ciety enhancing the brand image, employees will have more dedication to work for a company who works for mutual benefit of the society and the stakeholders especially the investor’s would be more confident. Australian Firms and CSR There are a lot of Australian companies who are listed amongst the more socially responsible organizations. BHP Billiton , Telstra, Rio Tinto , Pacific Hydro , Arup Australsia and many other corporations. BHP Billiton is Australia’s largest firm by market capitalization. It employees over 40,000 people all over the world which makes it rank amongst the largest mining companies in the world. As it is the largest firm in Australia and has global operations so it has engaged itself in many socially responsible activities and made it a priority so as to maintain the trust and confidence of the stakeholders and investors. Various socially responsible initiatives has been taken by BHP Billiton which have contributed greatly to well being and uplif t of Australian society and also in other countries where its operating. Along with initiatives for the

305T, Process Description Essay Example | Topics and Well Written Essays - 500 words

305T, Process Description - Essay Example Blair maintains in his paper that trying to manage time begins with ‘the three Eff words’. â€Å"The three "Eff" words are Effective - having a definite or desired effect; Efficient - productive with minimum waste or effort; Effortless - seemingly without effort; natural, easy.† (Blair) If any company embraces this and passes it on to its workers, then a culture of time management can be inculcated effortlessly. Clemmer lays emphasis on personal organization. True to his work, time management is greatly affected by personal prioritization and scheduling. Lack of these two on personal levels could lead to a highly disorganized work area hence more inefficiency. He has a customized approach abbreviated as PODS. P reflects prioritization, O for organization, D for disciplines and S for systems (Clemmer). The approach he advices, is bound to run only if there are set goals and targets. Organization just like multitasking is not common for many. Therefore one needs dis cipline to manage time and systemization of tasks. Downs holds it that time management is a five step process. â€Å"It generally involves a five-step process: setting priorities, analyzing, filtering, scheduling, and executing† (Downs 1). The suggestion by Downs is interlinked with that of Clemmer. They are all about planning. Both scholars give a step by step rationale for time management hence the notion that time management is all about planning creeps in. This is further supported by another author; Hellsten whose rationale has seven important steps. According to Hellsten, â€Å"Time management is most commonly defined by: (a) time analysis, (b) planning, (c) goal setting, (d) prioritizing, (e) scheduling, (f) organizing, and (g) establishing new and improved time habits†( Hellsten 21). Hellstens approach is broader but it culminates to the same school of thought. In light of all these scholarly contributions, institutions should put in place measures that aim at time management and focus on

Social media negative impact on teenagers Essay Example for Free

Social media negative impact on teenagers Essay Many types of social media display a ‘bad boy’ image which consists of addiction to substance abuse (drugs and alcohol), violence, emphasis on luxurious material possessions and lack of moral values. It is this ‘bad boy’ image that severely impacts the minds of teenagers. It is very common to find a video of a celebrity portraying a character that is addicted to substance abuse. For instance, Youtube is filled with plenty of music videos, movies and pictures that display celebrities with numerous addictions to substance abuse. Examples of such celebrities include, Nicolas Cage (alcohol addict) in the movie Leaving Las Vegas and Leonardo DiCaprio (drug addict) in the movie The Basketball Diaries. When a celebrity plays a fictional role of an addict, many teenagers pick up the addiction. Teenagers tend to think that such types of addictions are ‘cool’ as their icons engage in such addictions. In addition, social media portray a lot of violence that amuse teenagers. For instance, cp24.com shows videos and pictures of gangsters and thieves shedding blood of innocent people. In such situations, culprits are often seen settling problems through violence rather than through peace. Teenagers pick up on this depiction of brutality and think that it is better to solve a conflict through violence in order to gain a popular image in society. Also, social media is actively engaged in promoting exquisite materialistic goods. For instance, Facebook displays many pictures of celebrities endorsing expensive products. Examples of such endorsements include Michael Schumacher (Ferrari, Lamborghini) and Jessica Simpson (Gucci, Prada). Teenagers that look up to their icons come to the conclusion that in order to be popular one must acquire such luxurious goods. Moreover, social media places a great emphasis on acting immorally. For example, etonline.com shows real life situations of celebrities lying, stealing, and taking part in scandalous affairs. Teenagers are often taken into believing that such irresponsible acts are normal and expected to be followed. Thus, it is fairly evident that social media plays a vital role in exerting a strong negative influence on teenagers.

Essay --

I am going into event planning, in the sector of the hospitality industry. Event planning industry is on the rise and is not glued to one specific genre, hence, there are several to choose from. Event planning is needed for all sorts of occasions such as, birthday parties, weddings, fundraisers, product launches, concerts, anniversaries, fashion shows, conferences, graduations, business meetings, and much more! It is an industry that will never stop growing and improving. Specifically, an event planner job includes working with clients, creating a positive self-image, networking with clients, and personal and financial gain. The job of an event planner is much more than hanging up streamers, laying table clothes down and checking the quality of the lights. Event planning requires tedious work and strenuous planning. Also called meeting and convention planners, they do everything involved with making sure these events go as anticipated. This includes, working with the client to choose a fabulous and affordable location, hiring quality caterers, selecting perfect entertainment, and even arranging lodging and transportation for attendees who are visiting from afar (McKay). The goal of an event planner is to make sure the event runs very much as anticipated, which includes multiple plans to combat what-if scenario, because no event will ever run exactly as planned. Event planning is a very personally rewarding career. Not only is it personally rewarding, but it also offers benefits such as gaining public recognition, and financial rewards. Besides that, event planning offers the individual flexibility, and independence (being able to start your own event planning business). Even though this job seems ideally easy and person... ...one’s business, but should also be included with the basic necessities like business cards and portfolios. From business conferences to weddings, there are events going on all around us, and where there are events there are event planners constructing it, putting it all together, while making everything run effectively. Event planning is always unpredictable and you need to be always ready for any problematic situation that may occur. When starting out there is a great chance that problems will occur that one will not prepared to face, but this is all a part of the improvement process. These situations should be looked at as a learning experience and should give you some ideas of how to improve one’s event planning skills and one’s own business. Because of all the hospitality, craziness, and personal gratification, I have chosen to become an event planner.